
I have made it a point every year since 2000 (there was no jazz festival in neither 2001 nor 2002 due to lack of finances) to attend the annual Jacksonville Jazz Festival. Although I usually always have a good time going with friends and family, to be honest, the music is usually a bit disappointing, save for a few gems and memorable performances such as Big Bad Voodoo Daddy and Dot Wilder in 2005 at The Jacksonville Landing. Always hoping that one year the festival will absolutely blow me away, this year I attended the event on all three days and hit every venue except The Ritz. The highlight of this year’s festival was the ‘Round Midnight Jazz Jam located at the Marriott on Salisbury in Southpoint that went from 10p to 2a. The event encouraged anyone with an instrument to participate and play alongside the likes of the Kelly-Scott 5tet, J.B.Scott, Joshua Bowlus, Danny Gottlieb, and Dennis Marks. It was excellent in the way that jazz should be excellent–improvisational fashion. You just can’t beat an eight or nine-year-old prodigy on the drums jamming alongside the likes of Gottlieb and 15 other people with saxophones taking turns at the mike to do their thing. Fantastic! While it was free, it was the most fun I have had at any Jax Jazz Fest related event in quite some time now. The ‘Round Midnight Jam is a great addendum to the festival indeed, but it speaks volumes that this was the best thing that this once proud festival had going for it over the weekend.
The Jazz Fest was better when WJCT ran the show. Now that the city of Jacksonville is running it, the problem is not that they aren’t spending money on headlining acts but that, when they do decide to spend loads of money on a notable headliner, they are bringing in the wrong people. Tony Bennett? Kenny G.? Chris Botti? These guys make Michael Buble look like Charlie Parker for Christ’s sake. I thought this was supposed to be a “jazz” festival, not a “pop nostalgia acts of yesteryear” festival. Come on. This is a festival that once featured Miles Davis! And I’m sorry, but the headlining acts have been white way too frequently over the recent years. In a genre invented, perfected, and quite frankly dominated by African-Americans, this is not only unacceptable, but a gross statistical anomaly as well.
As for the event being showcased at various venues, the festival should be condensed to Metro Park exclusively, with the possible exception of The Jacksonville Landing hosting a couple peripheral and/or local acts or something. But it has to be outdoors. I mean, the word “festival” almost implies “outdoors,” doesn’t it? Don’t get me wrong, I love The Ritz and The Florida Theatre and all, but being shuttled via a cramped trolley from a wide open park on a gorgeous day to the confines of a dimly lit, ancient theatre with sectioned rows of seats is kind of a buzz kill. One of the lures of the Jacksonville Jazz Festival in its prime was being able to relax at an outdoor venue and enjoy the music. You know, “relax”—which does not entail calculating how much of Chuck Mangione’s show you’re going to have to truncate in order to have enough time to frantically run and catch the next trolley to the Florida Theatre to see the last half of Dianne Reeves’ performance. I don’t know about the rest of Jacksonville, but my idea of fun is NOT trying to coordinate a fucking trolley schedule.
The official Jazz Fest poster was a little weak this year in comparison to the last few years as well.
And don’t even get me started on the overtly smart-ass (overly dumb-ass), pointlessly rude city workers on staff at Metro Park…
You know, Albert Einstein’s once said, “The definition of insanity is doing the same thing over and over again and expecting different results.”
With all of that said–I can’t wait for next year’s fest!